Andrea Warner – Georgia Straight
October 7th

Morris Panych and John Mann’s The Waiting Room a labour of love.
John Mann called on Morris Panych to turn his songs about a cancer battle into a play; now a new fight is giving the work extra meaning. Morris Panych and John Mann have been friends for almost three decades. In fact, Panych remembers the very night his friend Jill Daum spotted Mann and declared he was the one.

“She kind of earmarked John as her property before he knew it,” Panych recalls with a laugh, over the phone. “We saw him at the Arts Club and she was like, ‘That’s the guy I’m gonna get.’ We were like, ‘Okay, go for it.’ I thought he was gay. We go back that far.”  Link to article here

Marsha Lederman 
VANCOUVER — The Globe and Mail

There’s a good chance you’ve partied with John Mann. Or, if not with the man himself, certainly to his music. As lead singer for Spirit of the West, he co-wrote the ultimate Canadian frosh-week/wedding-reception anthem, Home for a Rest. Nearly 20 years after writing the hit song, Mann, who is also an actor, was in the middle of a run playing Thénardier in Les Misérables in Vancouver when he began experiencing severe stomach pains. He underwent testing, and soon got the news. He was sick. Rectal cancer. Link to article here

Les Siemieniuk – Penguin Eggs
July 25, 2007
John Mann December Looms Independent John Mann of Spirit of the West has been distracted from music lately by spending his time as an actor in Hollywood North. So it is great to hear he hasn’t departed the musical stage for good. Mister Mann is his solo project, and what you get is a return to his alt.folk roots. Just John, a guitar and his trademark gravelly voice perfectly suited to the songs about his Port Town ˆ Vancouver. A standout on December Looms is My Little Lamb ˆ a song of warning from a father that all young girls should listen to and take to heart. A brilliant piece of insightful work. December Looms delivers a musical experience that recalls a great night at a small, intimate coffee house.

Laurie Mercer –

July 25, 2007

John Mann returns to his barebones alt-folk roots with the beautiful ‘December Looms’, using just his acoustic guitar and warm voice to create a quiet gem of a recording, filled with beautiful melodies and observational insight. Mann has always been an observational writer; his lyrics are simple, yet filled with lyric gems: ‘miles and miles of empty track twisted round inside my head once I had a train of thought But I drank to forget then forgot love’s first name what was love’s first name?’ (from ‘I’ve Been Bad’) When I Played Around with Knives‚ is a nostalgic reflection on past innocence, ‘My Little Lamb’ is a touching and true father-child story, and ‘Port Town’ details his personal relationship with his home city of Vancouver. Another highlight is ‘I Play Blind’, showing off his lyrical brilliance as he chronicles a couple clinging together unhappily yet needily in a failing relationship. His world-weary tone is comfortable even when emoting the gravest cynicism, and his musicianship is always more than capable. Highly recommended.
JZ – Montreal Gazette

April 12, 2007

Rating 3 1/2
Mister Mann: December Looms (Independent).
A stark but inviting set from Spirit of the West’s John Mann, alone with his voice, guitar and razor-sharp mind.

Wood Wires & Whiskey – Rachel Sanders – Exclaim! 

April 12, 2007

A 24-year veteran of Vancouver’s indefatigable folk pop outfit Spirit of the West, John Mann has adopted the moniker Mister Mann for his first solo record since his 2002 debut, Acoustic Kitty. Mann’s solo material has none of the frenetic catchiness of SotW’s best-known songs. Rather, Mann lopes along at an easy pace, backing adept lyrics with simple instrumentation. On this sophomore release, Mann has stripped everything right down to bare bones, boiling his musical sensibility down to the concentrated strumming of a single acoustic guitar behind his acerbic lyrics and warmly familiar vocals. At its best, December Looms is gripping. “I Play Blind” offers the best display of his heart-rending lyrical skill as he describes a couple in denial, clinging to each other despite the obvious fissures in their relationship. And “The New Normal” represents a perfect melding of Mann’s comfortable, world-weary voice, his stunningly cynical lyrics and capable musicianship.(Independent)